I’m not sure why, but I used to watch certain films obsessively when I was in my teens. More so than any time since, I would identify these films as ‘the films for me’ and watch them. A lot.
Perhaps it was because they were simpler times, when there was not such a huge mass of available media. When I was growing up, if we wanted to watch any movies (other than the recent releases) I only had a few ways of getting hold of them. I could watch one of the four television channels we had (Sky was a mere fantasy) or buy or rent a video.
However, the majority of the films from this list (yes, fine, it’s a list) are from the former two camps, since films recorded from television or bought on VHS could be watched numerous times over many weekends without repeatedly renting them out.
These films have all been seared into my brain. Some of them have stayed with me, becoming films I now recognise as classics. Others, I would probably no longer watch, but for the sake of curiosity. Those that fall into the later group might still have a place in my heart, and just the memory of a key line of dialogue (‘It can’t rain all the time.’) will make me feel nostalgic.
This cult horror staple has stayed with me throughout my life. I saw it most recently at the Australian Centre for the Moving Image in 2006. When I arrived in Melbourne, alone and in a new country for the first time, and saw that The Lost Boys was playing, I was delighted to have a movie so familiar to go and see.
The story of Santa Carla’s Vampires and the boys determined to take them down is witty and comically violent. There’s something quite child-like about this movie, despite the it’s graphic content. It’s a kind of childhood-adulthood transitional film, as if the filmmakers set out to make a horror film for teenagers.
As a kid, I would have loved to have friends as fearless and unpredictable as the Frog Brothers, self-confessed vampire hunters (when they aren’t working in their parents comic book store). I love the pure eighties vibe, the comic-book violence of the vampire deaths and, of course, there is one of the greatest last lines in the history of cinema.
Ace Ventura: Pet Detective
Ace Ventura was my introduction to Jim Carrey, the funny man with the elastic face, who would become an near-obsession for me in my teens. I bought every movie he was in on VHS the day it was released (up until Liar Liar).
The film has dated a little and does look like a TV movie, but the laughs are still there as are the catchphrases, many of which have stuck with me until today (Alrighty then!). The story is a little wierd and the other characters are incidental. Really, its all just a showcase for Carrey’s brand of rediculous humour and that’s fine by me.
This is a film I haven’t watch since my teens, yet I remember how intensely cool I thought it was. The film follows a man who returns from the dead, self-stylises himself as a scary clown / crow man and goes about taking down those who were responsible for for his murder and that of his girlfriend.
The subject matter seemed grown-up and the violence graphic (but not morbidly so). As a quiet and non-violent teenager, taking revenge on the people who messed with you seemed very appealing somehow. Add in the fascination of the lead actor, Brandon Lee, dying during the shoot, and film was a sure-fire winner.
Oddly, I haven’t watched it more than ten years, so I couldn’t say whether it holds up now.
I haven’t seen it in ages, but I know in my heart that I still love Evil Dead 2. I’ve always been a bit of a wuss when it comes to horror movies. Certainly there are horror movies I have enjoyed, but I’m not a big fan of gore and scares for their own sake. When I discovered Evil Dead 2, I was pleasantly suprised to discover that horror movies could be funny as well as scary.
Of course a great deal of the fascination comes down to Bruce Cambell’s mesmirising, gurning turn as Ash, a role reprised from the orginal film (of which this is a kind of remake). He truly sells the absurd situation in which his character finds himself. When he does battle with his own severed hand, it really does feel like a fight for survival as well as being hilarious at the same time.
And the ending is awesome too.
Withnail and I
When I discovered Withnail & I, I watched it countless times. There was something wonderfully subversive about Richard E. Grant’s Withnail; he was living on the edge of society. He appeared to be quite possibly permanently cracked and yet he didn’t seem to care.
The simple story of two out-of-work actors who go for a much-needed holiday in the country sees very little happen. Yet it is populated by wonderfully memorable characters and grounded by a bleakly hilarious script. Thinking of certain scenes will still bring a smile to my face, especially Withnail, when faced with a large pub bully, breaking down into tears and sobbing…’I have a heart condition…if you hit me its murder….my wife is having a baby…’
Stand By Me
Another film that I still regard as a geniune classic. Four kids in fifties small-town America hear a rumour about a dead body and set out on a journey to witness this gruesome curiosity for themselves.
The central group are an odd mish-mash of personalities. They seem thrown together, yet comfortable with each others quirks. Their friendships are the kind that can only form in childhood; fleeting, but meaningful and important in their time.
My English teacher showed us this film when we were fourteen or fifteen (along with To Kill a Mockingbird) and it has stuck with me ever since. Its a brilliantly funny and imaginative film, whose characters are grounded in real-life, yet still capable of using their imaginations and having an adventures.
The Flight of the Navigator
During my teenage years, I certainly wasn’t beyond watching films deemed to be targeted at kids (nor am I now). The Flight of the Navigator is representative of the children’s films that bled through to my teenage years (see also Labrynth and The Goonies).
The movie concerns itself with a boy who is abducted by a charistmatic alien, who takes him on an adventure around the world in his super-cool spaceship. This movie had enough adventure and wit to keep me returning time and time again.